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Image of cab driver William Whaley at the Dallas Police Department headquarters
Original 35mm black and white negative taken by an unidentified Dallas Times Herald staff photographer. The image shows cab driver William Whaley at the Dallas Police Department headquarters on November 23, 1963. Whaley drove Lee Harvey Oswald from the Greyhound station in downtown Dallas to Oak Cliff shortly after the assassination.
Image of cab driver William Whaley at the Dallas Police Department headquarters
11/23/1963
Film
15/16 x 1 7/16 in. (2.4 x 3.6 cm)
Dallas Times Herald Collection/The Sixth Floor Museum at Dealey Plaza
1989.100.0043.0008
Pictures are overexposed when too much light enters the aperture, producing images that are washed out and lacking detail. Most of the images on this strip appear overly bright because they were overexposed. When Museum staff scanned this negative strip in 2012, they used photo editing software to try to correct the overexposure, allowing us to see some detail in the images that was not visible before. - Lindsey Richardson, Curator of Collections
Image of cab driver William Whaley at the Dallas Police Department headquarters
Original 35mm black and white negative taken by an unidentified Dallas Times Herald staff photographer. The image shows cab driver William Whaley at the Dallas Police Department headquarters on November 23, 1963. Whaley drove Lee Harvey Oswald from the Greyhound station in downtown Dallas to Oak Cliff shortly after the assassination.
Image of cab driver William Whaley at the Dallas Police Department headquarters
11/23/1963
Witnesses
Photographs
Whaley, William
Dallas Times Herald
Dallas Police Headquarters
Dallas Municipal Building
Dallas Police Department
Dallas
Film
15/16 x 1 7/16 in. (2.4 x 3.6 cm)
Dallas Times Herald Collection/The Sixth Floor Museum at Dealey Plaza
1989.100.0043.0008
Pictures are overexposed when too much light enters the aperture, producing images that are washed out and lacking detail. Most of the images on this strip appear overly bright because they were overexposed. When Museum staff scanned this negative strip in 2012, they used photo editing software to try to correct the overexposure, allowing us to see some detail in the images that was not visible before. - Lindsey Richardson, Curator of Collections